DORIS ROBERTS, "EVERYBODY LOVES RAYMOND": Well, it's great. And when the kids leave, they feel that they're dismissed, that they have no purpose in life. HENDERSON: I want to ask Meredith Baxter, because I think you were really kind of the first one that broke the mold. I mean, eventually at one of the reunions I became a real estate agent, you know. So I wasn't -- I was Maggie Seaver, but on air I was Maggie Malone, so. Well, this were our spin on "The Brady Bunch." HENDERSON: OK. HENDERSON: Well, Barbara, so that we can all keep our jobs, we're going to take a short break. You never realized how lucky you are to be a part of this wonderful family. I had a situation many, many years ago where a man I knew died of AIDS that I had dated, and the tabloids threatened -- he didn't die of AIDS.

So they get into your life, and tell you how to live it, what to do about it, and why you should, because they think they're saving you from pain and from making wrong choices. HENDERSON: Well, I think so, too, and also, it happens to be very funny, Doris. You and Michael Gross were ex-hippies, and so you started breaking some new ground, I think, as far as TV moms went. BAXTER: Although -- although, you know, although they got to show the parents screwing up once in a while and not living up to the kids's expectations, and then it gives us an opportunity to say, I'm sorry, I was in error. That was the end of any real excitement in Elyse's life. It was -- it was kind of -- that was a big deal, but it was -- we were the Seavers. (CROSSTALK) I mean, there was a lot of inside kind of comparisons between our two shows, but it was really "Father Knows Least," you know. BAXTER: Elyse Keaton did have a job, and in one, oh, memorable season, I think I even had a drawing board. BAXTER: However, the best -- the most I could do after the first season -- I think, maybe the second season, the drawing board left. I have held my tongue for two years, and I have given you every benefit of the doubt. (LAUGHTER) UNIDENTIFIED ACTRESS: The kind of person you are: You're an angry, pushy, manipulative bitch. They said he had died of AIDS, and he hadn't died of AIDS. And they were threatening to write a story saying he had died of AIDS, and then print all the women that he had dated.

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If you think love is a drug, then yes, it's about drugs. The four minute repetition is unique, and it impresses me how it never really gets repetitive (at least, it doesn't get repetitive for me).

The simplicity is part of the song's beauty - it doesn't need anything fancy to convey its comforting message.

Billy Joe Walker also produced hits for acts like Travis Tritt, Collin Raye, Mark Chesnutt, Billy Ray Cyrus, Tracy Byrd, Pam Tillis and Bryan White whom he originally discovered as well as backing Ray Charles, Merle Haggard, The Dixie Chicks, Tom Jones, Hank Williams Jr, Bryan Adams, George Jones, Glen Campbell, The Beach Boys and Randy Travis.

In Kerrville, Texas, USA, of heart failure (81), singer-songwriter, musician, actor and television host, whose own compositions include 'I'm Not Gonna Miss You' (Best Country Song at the 2015 57th Annual Grammy Awards), 'Back In The Race' (Jody Miller, Roy Clark and Dinah Shore), 'Friends' (Bill Anderson), 'Here I Am' (Rick Nelson), 'Less Of Me' (covered by 23 acts including Bobby Bare, the Kingston Trio, Leroy Van Dyke, Bill Anderson, Roger Miller, Dottie West, Bobby Gentry, the Everly Brothers, Wanda Jackson, Loretta Lynn, George Hamilton 1V and Wanda Jackson), 'Love Is A Lonesome River' (Wild & Blue) and 'Senses' (Connie Smith, Quicksilver and Johnny Carver).

It was the most controversial incident of Sir John Gielgud's life, when the great actor was caught giving the glad eye to an undercover policeman in a public lavatory.

In unenlightened 1950s Britain, the event, splashed across the nation's newspapers, caused a national furore.

BILLINGSLEY: I have to tell you that June Cleaver had a job in "The New Leave It to Beaver." She did.

And it was heartbreaking to see what was going on with Michael and what he's had to deal with. I think that an audience doesn't realize on a show -- like most of us have had very long runs with our series -- that you grow so close to each other. It was for us on "The Brady Bunch." And I would like to ask you if all of you had those kind of relationships on your shows. (LAUGHTER) We were so free to make fun of each other. And he showed up not on one occasion, but many occasions. HENDERSON: I'm sure, but you probably saved her -- saved her life. You know, all of us are -- these kids become your kids, and you go through everything with them. And just because you're in the public eye doesn't mean you can't be sick, you know. BAXTER: But all the more reason to try and keep it quiet and keep a lid on it... KERNS: But she's done a lot for kids, young girls with this problem. HENDERSON: Well, I know when Robert Reed on "The Brady Bunch" became ill and he died, and of course, the tabloids put it on the cover that he died of AIDS.

The exact details of what transpired in Chelsea on 21 October 1953 have occupied biographers since Gielgud's death 11 years ago.